I’m a crusty metal head. It takes a lot, and I mean A LOT, to make me hate a song. Design the Skyline’s 2011 flaming pile of shit Surrounded by Silence is the single worst metal song I’ve ever listened to. At a time where we had major musical juggernauts like BTBAM, Periphery, Protest the Hero, After the Burial, and so many other great technically sound musicians just hitting their stride or deep in their prime, Design the Skyline said ‘this’ll do.’
I could rip into this thing a million different ways. Lets just start with the fucking aesthetics. It’s 2011. I’m a year into college. Hipsterism is on the rise. Scene kids are dying out. These guys are the last vestige of an embarrassingly low period of teenage subculture. You got two lead screamers. A gelfling, and Rhea Ripley 12 years before her time. The bassist is little brother Ethan after Mom said let your little brother be in the band. 3 nondescript other dudes wearing girls clothing who are too embarrassed to show their faces at all. And a drummer who is too good for this shit. They’re children of that time. The first thing I thought to my self as soon as they show up in the video even back then is, ‘we’re still doing this?’
The start of the song is the best part. It’s this techy synth stuff with great dynamics that fits the era. It’s long enough to make you think we’re in for a good ride. Then it drops out and the actual band starts and hooooo boy is it bad. It’s pure WHAT THE FUCK! The two screamers go back and forth unintelligibly. The guitars are playing fuck all. The bass drops out like fucking Hetfield was mixing And Justice For All. It’s just chaos.
Then you get to the chorus. It’s autotuned to shit. In the actual video the gelfling is battling snow that keeps falling into his mouth. The Rhea clone is dry heaving and singing at the same time. He legit looks like he’s gonna be sick the way he’s moving. Then little brother Ethan comes in. He’s the most awkward, no confidence looking mother fucker of the whole video. He looks like he spent the whole day getting yelled at to move like this and you’ll look cool, but it was really a joke and he just looks stupid. To the point there’s a shot of the Rhea clone staring off and rolling his eyes while little brother Ethan is singing, like why is he here? It’s just a fucking mess. The best part of the chorus is this is the only time in the whole song it happens.
Then it returns back to the chaos of nothingness musically and you feel shock. Why am I being bombarded by this? What is the point of this song? What is the point of my life? There are legit musicians at this period of time. Misha Mansoor is working hard on P2. The boys in BTBAM are working hard on P2. Everybody is waiting for the next Contortionist album. You got a whole new movement in Djent. Then this shit forces it’s way into the spotlight like a distraction from the Epstein Files.
And when I tell you the description I’m writing is nothing compared to the hate this song got at the time, I fucking mean it. They released their record then split up. The amount of hate they got broke the band up. There was no way anyone was taking any of this shit seriously. That’s how bad it was.
The only other songs that makes me a fraction as upset as the above is Pause and Rib Woman on Frosting by Bent Knee. I can’t prove it but I really think those two songs caused a rift in the band that got Ben and Jess kicked out the band. Ben with out of control creativity that tanked a record on Pause. Whoever decided to have a high pitched alarm go off for a whole song deserves to be whipped. Nobody wants to listen to Jess moan for a whole song like Rib Woman. They’re lucky they had the cover of covid to leave, but man that record really upset a lot of people. None more than the band itself. They’ll never say it but it’s pretty obvious. The Hyperpop experiment was a failure.
It’s basically low effort very amateur metalcore. I get the feeling they are trying to achieve something similar to Electric Callboy but Emo but fail spectacularly.
I read your comment and clicked the link thinking it couldn’t possibly be as bad as you described. But it really is so bad that my shoulders physically lifted as my head sunk into my chest and I leaned back. It’s… just… so… bad.
On the bright side, you’d given me a perfect example to share when they ask me why I don’t like 00s+ emo culture (in general), and their influence then and now in rock and metal music.
Idk, the vibe they are going for isn’t particularly bad, it’s something like metalcore but Emo. The issue is that they put 0 effort into making an actual proper song.
Linking park has a similar-ish vibe and their songs are good. Electric Callboy has a very different vibe but their metalcore is what this song would dream to be.
Don’t blame Emos for the lack of care for the craft this band had.
I’m a crusty metal head. It takes a lot, and I mean A LOT, to make me hate a song. Design the Skyline’s 2011 flaming pile of shit Surrounded by Silence is the single worst metal song I’ve ever listened to. At a time where we had major musical juggernauts like BTBAM, Periphery, Protest the Hero, After the Burial, and so many other great technically sound musicians just hitting their stride or deep in their prime, Design the Skyline said ‘this’ll do.’
I could rip into this thing a million different ways. Lets just start with the fucking aesthetics. It’s 2011. I’m a year into college. Hipsterism is on the rise. Scene kids are dying out. These guys are the last vestige of an embarrassingly low period of teenage subculture. You got two lead screamers. A gelfling, and Rhea Ripley 12 years before her time. The bassist is little brother Ethan after Mom said let your little brother be in the band. 3 nondescript other dudes wearing girls clothing who are too embarrassed to show their faces at all. And a drummer who is too good for this shit. They’re children of that time. The first thing I thought to my self as soon as they show up in the video even back then is, ‘we’re still doing this?’
The start of the song is the best part. It’s this techy synth stuff with great dynamics that fits the era. It’s long enough to make you think we’re in for a good ride. Then it drops out and the actual band starts and hooooo boy is it bad. It’s pure WHAT THE FUCK! The two screamers go back and forth unintelligibly. The guitars are playing fuck all. The bass drops out like fucking Hetfield was mixing And Justice For All. It’s just chaos.
Then you get to the chorus. It’s autotuned to shit. In the actual video the gelfling is battling snow that keeps falling into his mouth. The Rhea clone is dry heaving and singing at the same time. He legit looks like he’s gonna be sick the way he’s moving. Then little brother Ethan comes in. He’s the most awkward, no confidence looking mother fucker of the whole video. He looks like he spent the whole day getting yelled at to move like this and you’ll look cool, but it was really a joke and he just looks stupid. To the point there’s a shot of the Rhea clone staring off and rolling his eyes while little brother Ethan is singing, like why is he here? It’s just a fucking mess. The best part of the chorus is this is the only time in the whole song it happens.
Then it returns back to the chaos of nothingness musically and you feel shock. Why am I being bombarded by this? What is the point of this song? What is the point of my life? There are legit musicians at this period of time. Misha Mansoor is working hard on P2. The boys in BTBAM are working hard on P2. Everybody is waiting for the next Contortionist album. You got a whole new movement in Djent. Then this shit forces it’s way into the spotlight like a distraction from the Epstein Files.
And when I tell you the description I’m writing is nothing compared to the hate this song got at the time, I fucking mean it. They released their record then split up. The amount of hate they got broke the band up. There was no way anyone was taking any of this shit seriously. That’s how bad it was.
Here it is. Do not enjoy.
https://www.youtube.com/watch?v=ViSZI6UJEUQ
The only other songs that makes me a fraction as upset as the above is Pause and Rib Woman on Frosting by Bent Knee. I can’t prove it but I really think those two songs caused a rift in the band that got Ben and Jess kicked out the band. Ben with out of control creativity that tanked a record on Pause. Whoever decided to have a high pitched alarm go off for a whole song deserves to be whipped. Nobody wants to listen to Jess moan for a whole song like Rib Woman. They’re lucky they had the cover of covid to leave, but man that record really upset a lot of people. None more than the band itself. They’ll never say it but it’s pretty obvious. The Hyperpop experiment was a failure.
It’s basically low effort very amateur metalcore. I get the feeling they are trying to achieve something similar to Electric Callboy but Emo but fail spectacularly.
I read your comment and clicked the link thinking it couldn’t possibly be as bad as you described. But it really is so bad that my shoulders physically lifted as my head sunk into my chest and I leaned back. It’s… just… so… bad.
On the bright side, you’d given me a perfect example to share when they ask me why I don’t like 00s+ emo culture (in general), and their influence then and now in rock and metal music.
Idk, the vibe they are going for isn’t particularly bad, it’s something like metalcore but Emo. The issue is that they put 0 effort into making an actual proper song.
Linking park has a similar-ish vibe and their songs are good. Electric Callboy has a very different vibe but their metalcore is what this song would dream to be.
Don’t blame Emos for the lack of care for the craft this band had.