I’m lightly active in the headphone enthusiast space. Even in the more light-hearted circles there is still an elevated amount of placebo bullshit and stubborn belief in things that verifiably make zero difference.
It’s rather fascinating in a way. I’ve been in and out of various hobbies over the course of my life but there is just something about audio that attracts an atmosphere of wilful ignorance and bad actors that prey on it.
I’ve been in the audio enthusiast community for like 17 years now. When I was fresh, the internet commentators had me thinking there was some audio heaven in the high end compared to the mid range priced gear. Now I know better and the gear community is not so high end price evangelicals like it used to be. I feel like there was a before and after the $30 Monoprice DJ headphones and the wave of headphones since. Then especially IEMs. Once ChiFi really got rolling with IEMs and amplifiers and DACs, $1000+ snake oil salespeople got to deal in a way more competitive market
Same with speakers. Internet changed everything. No more at the whim of specialty audio stores stock and Best Buys. Now you got the whole worlds amount of speaker brands at a click of a finger plus craigslist/offerup. Also again ChiFi amplifiers and DACs. Also improvements in audio codecs whether for wireless or not. Bluetooth audio was awful until it stopped being awful as standards improved
These days I mostly see the placebo audio arguments in streaming service and FLAC/lossless encode fanboys. Headphone and speaker communities these days seem a lot more self aware and steeped in self-deprecating humor over the cost, diminishing returns, placebo, snake oil they live in today compared to 17 years ago. I want my digital audio cables endpoints plated with the highest quality diamonds to preserve the zeros and ones. No lab diamonds. Must be natural providing the warmth only blood diamonds that excel in removing negative ions. I treat my room with the finest pink himalayan salt sound absorbent wall panels to deal with the most problematic materials used by homebuilders. Authentic himalayan salt has been shown to be some of the highest quality material in filtering unwanted noise and echos while leaving clean pure audio bliss
These days I mostly see the placebo audio arguments in streaming service and FLAC/lossless encode fanboys.
The clamour for lossless/high-res streaming is the audiophile community in a nutshell. Literally paying more money so your brain can trick you into thinking it sounds better.
Like many hobbies, it’s mainly a way to rationalize spending ever increasing amounts on new equipment and source content. I was into the whole scene for a while, but once I had discovered what components in the audio chain actually improve sound quality and which don’t, I called it quits.
The push for lossless seems more like pushback on low bit rate and reduced dynamic range by avoiding compression altogether. Not really a snob thing as much as trying to avoid a common issue.
The video version is getting the Blu-ray which is significantly better than streaming in specific scenes. For example every scene that I have seen with confetti on any streaming service is an eldritch horror of artifacts, but fine on physical media, because the streaming compression just can’t handle that kind of fast changing detail.
It does depend on the music or video though, the vast majority are fine with compression.
I listen to QUAD 77-11L speakers from like a lifetime ago, and a cheap class-D thing from Aliexpress. It’s fine.
HugeNerd is correct, 90+% of audio quality is in the mic and speakers. Transducers make electro acoustics real, everything else is support.
Get really great used speakers cheap and an adequate amp just good enough to drive them. Your shit will sound excellent for anyone.
Well, I’d argue the placement and room are an integral part of it as well.
In that sense the room is part of the transducer itself, yes, as the speaker cabinet supports the speaker driver, so do the walls and room size. Think of them as a system.
Pretty much, and I don’t think my stylish cardboard and wood-shavings condo is going to make expensive Totem Acoustic speakers sound their best… I had a pair of affordable Paradigm floor-standing speakers, but everything sounded hollow. They sounded great in the store, that happened to be a field-stone and timber construction with corner room treatments, etc
In my dry-wall and toothpick chamber, the sound just bounces around randomly. So then I got rid of the big speakers and got tiny QUAD ones, and that’s all I need. I can of course tell the difference from a premium setup, but I can’t afford a nice home.
I can also tell Angus steak from grocery-store all-beef hot dogs, but … money.
Hot dogs it is.
Good cables are shielded well. That she makes them expensive. That’s not transmission, that’s shielding. I don’t think they tested that but for digital audio is not surprising
